Thursday, 6 February 2014

ELA 20-1 Unit Exam Review

Jennefer, Danielle, and Duff discuss the poetry exam.
The Curriculum Development Exam Centre and English Language Arts instructors are working together to review and revise the ELA 20-1 Unit Exams. Jennefer Rousseau approached the Curriculum Coordinator, Carey Hilgartner about collaborating with all ELA instructors on creating new exams for ELA 20-1, and the review project was born! Thanks to Jennefer for bringing this project forward, and to Carey for his support in moving forward.

Our project team is:


Meghan Clayton
Marc Desilets
Danielle Dore
Tasha Nott
Murray Ronaghan
Jennefer Rousseau
Duff Waddell


The group is reviewing and classifying items and adding existing items to the new English Language Arts Unit Exam Blueprint. At the end of the review, the ELA 20-1 students in the Centre will write common unit exams for four of the five units. The novel unit is left to the discretion of the instructor. 
Marc & Meghan collaborating
The process has been going very well so far with weekly check-in meetings and instructors collaborating together during the day. Project team members have been busy reviewing and revising items, as well as searching for and selecting new readings that are appropriate for 20-1. The new exams will also include readings with Aboriginal content, something that was lacking in the previous exams. Our thanks to Danielle Dore for taking the lead on finding readings that contain Aboriginal content and/or have Aboriginal authors. The new unit exams will also have Form Return answer sheets in order to collect data and statistics on the exams, and the Form Return answer sheets will be machine scored.

We are very excited about the new exams in ELA 20-1 and we will continue to share our progress with you. If you have any questions about this or other Exam Development projects, please contact the Curriculum Coordinator Carey Hilgartner, or Maureen Stewart Exam Development Lead. Please see the Foundational Curriculum website for more information on all the Curriculum Development projects and centre work. 

Thanks very much to Carey and the project team for your hard work on this! 



The 20-1 Project Group (missing Tasha Nott)

Wednesday, 5 February 2014

"Creativity: Tools Not Light Bulbs" - A Workshop with Warren Woytuck


By tschogibussi (Own work) [GFDL or CC-BY-SA-3.0], via Wikimedia Commons

I participated in the excellent “Creativity: Tools, not Light Bulbs” interactive session delivered by Warren Woytuck, the Executive Director of the Calgary Regional Consortium on January 16, 2014.  Warren is actively researching ways of enhancing creativity in the school and workplace.  Warren also hosts CRC sessions that address the Curriculum REDESIGN .  See http://www.crcpd.ab.ca/index.php/site/register/2786 to register for the February 7th session.

The Competencies for 21st Century Living are “the attitudes, skills, and knowledge that contribute to students becoming engaged thinkers and ethical citizens with an entrepreneurial spirit.”   Creativity is a key aspect of being an engaged thinker.  Creativity is also a key aspect of the entrepreneurial spirit--after all, the phrase “creates value” is often used in an entrepreneurial context.  There’s also an ethical dimension to “value.”  (Though when I hear of the much-lauded “entrepreneurial spirit,” Jacob Marley comes to mind.  "Humanity was my business.")

--------------------------------------------------------------

The following are a few of the many questions explored in the “Creativity: Tools, not Light Bulbs” session.

What is creativity and creative thinking? 

Warren specifically pointed out that creativity is a key competency in the Curriculum REDESIGN.  I mentioned that it is widely recognized that structured response items (multiple-choice and numerical-response items) cannot evaluate creativity, but this topic was beyond the scope of this particular session.

The word ‘creative,’ according to Warren, is often used almost synonymously with ‘productive’ in business and industry.  Creativity is so much more than mere productivity.  

Keith Sawyer (see http://keithsawyer.wordpress.com/about/) was quoted:  “ ‘Creative,’ ‘Creation,’ and ‘Creativity’ are some of the most overused and ultimately debased words… stripped of any special significance… the word ‘creative’ has become almost unusable.”

However, Warren provided a useful working definition of creativity:  “Creativity is combining ideas to develop something that has purpose or value.”  Perhaps this definition can help rescue this word from insipidity.

My thoughts:

Even cows, automatons, and oil fields can be productive, but surely these are not creative.  Creativity has something still of the human spirit.

Perhaps the word “create” can restore its noble state if it divorces its base husband, “produce.”  Perhaps this could be done by inspecting their etymologies.  A word’s etymology sometimes betrays its unconscious, unadorned motivation.  

Here is the etymology of  CREATE according to Merriam-Webster’s Unabridged dictionary:

CREATE
Etymology: from Latin creatus, past participle of creare to create ‒ more at CRESCENT
CRESCENT
Etymology: Middle English cressant, cressent,
Etymology: from Middle French creissant,croissant crescent, time between the new and fullmoon, from present participle of creistre, croistre to increase, grow,from Latin crescere; akin to Old English hersewæstm millet grain, Old Saxon hirsi millet, Old High German hirsi, hirso millet, Latin creare to create, produce, beget, bring forth, Greek koros boy, puppet, korē girl, virgin, pupil of the eye, Lithuanian šerti to feed, Albanian thjer acorn; basic meaning: growing, feeding

PRODUCE has the following etymology:

PRODUCE
Etymology: Middle English(Scots dialect) producen,
Etymology: from Latin producere, from pro- forward + ducere to lead ‒more at PRO-, TOW
TOW
Etymology: from Old English togian; akin to Old High German zogōn to tow, Old Norse toga; akin to Old English tēon to draw, pull,Old High German ziohan,Gothic tiuhan to draw, pull, Latin ducere to lead, draw, Greek daidussesthai to drag, Albanian nduk to pull out, pluck
"Creative" seems to have a nobler provenance than "produce."

Consider also that the words Il Duce and Duke are derived from Latin ducere.  Surprisingly, “educate” is also derived from ducere.

What’s the relationship between creative and critical thinking? 
There is a symbiotic relationship between creative and critical thinking, says Warren.  Creative constraint theory says that constraints can actually drive creativity.  Warren demonstrated this principle by having us gather into groups of three and design a prototype of a flood-mitigation device using only two paper plates, a paper cup, some ribbon, tape, straws, and a few other items.  Many of the prototypes were quite ingenious, considering the limitations.  

How can creativity be taught? 
Creativity is not, Warren asserts, a sudden revelation or light bulb moment.  Much thinking and research are required.  Reflection is essential.  Creativity is not limited to the arts, and is not a single skill.  Creativity is not a muscle that can be strengthened and is not just right-brained.  Creative intelligence is about tools, not light bulbs.  It’s something we do, not something that happens to us.

My thoughts:
Creations do not spring as Athena from the head of Zeus, fully grown and fully armoured.  The process of creating is a hard, focussed work--though leisure and play can also manure the process.  Nevertheless, I like the drama of the classical image because breakthroughs often feel magical and unexpected.

How can I create learning opportunities that encourage more creative thinking and creativity?

The SCAMPER method can be used to aid in the generation of new ideas:

S = substitute
C = combine
A = adapt
M = magnify or modify
P = put to other uses
E = eliminate
R = rearrange or reverse

--------------------------------------------------------------

Warren also mentioned that introverts, as well as extroverts, can be creative.  Steve Jobs was a highly creative introvert.  I agree that it is not only the loud and the proud who create, although our culture sometimes seems to value braggadocio in all things.

Warren provided more insights and techniques than can be listed in this blog.  If you ever have the opportunity to attend one of his sessions, I highly recommend them.

Regards,
Michael

Thursday, 30 January 2014

New ALRI Resource Available: Sharing the Journey with Adult Indigenous Learners – A Teaching Reading Strategies Guide by Patricia Pryce


As a resource to accompany the Alberta Reading Benchmarks (ARB) tool, Sharing the Journey with Adult Indigenous Learners – A Teaching Reading Strategies Guide by Patricia Pryce was developed for practitioners  working with Aboriginal adult learners. The guide evolved through collaboration with experienced practitioners around Alberta who have a respectful awareness of Aboriginal teaching and learning principles.
The guide includes a summary of philosophies, principles, and general teaching/learning strategies that try to reflect Aboriginal perspectives  to make the journey toward reading literacy more accessible and authentic.
Included in the guide are references to general teaching-reading strategies that correspond to specific ARB levels. It also includes recommended reading material and electronic sources and devices. 
Click here to view. The resource is also accessible on the ARB website.